Tile in Medieval Europe
Medieval Europe made considerable use of painted tiles, sometimes producing very elaborate schemes, of which few have survived. Religious and secular stories were depicted. The imaginary tiles with Old Testament scenes shown on the floor in Jan van Eyck’s 1434 Annunciation in Washington are an example. The 14th century “Tring tiles” in the British Museum show childhood scenes from the Life of Christ, possibly for a wall rather than a floor, while their 13th century “Chertsey Tiles”, though from an abbey, show scenes of Richard the Lionheart battling with Saladin in very high-quality work. Medieval letter tiles were used to create Christian inscriptions on church floors.
Medieval encaustic tiles were made of multiple colours of clay, shaped and baked together to form a pattern that, rather than sitting on the surface, ran right through the thickness of the tile, and thus would not wear away.
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